You can also give it a try for free by downloading the 14-day trial.įinal Cut Pro 7 is end of life and investing so much into a dead product doesn’t seem to make a whole lot of sense. If you’re still cruising along with FCP7 and don’t plan to migrate to another NLE sometime soon, then it might be worth the $995 price tag for the serious pro.
He adds that it would be fantastic to see a Baselight plug-in come to Premiere or AVID….īut it may be a while, as plug-in architecture for those applications is more difficult.
Scott affirms the consensus from around the ‘net…
#Final cut pro 7 trial full
If you’re lucky (or technically savvy) enough to own and operate a full Baselight system, you’ll be happy to know that grading data can be transferred back and forth between that system and Baselight FCP.Įditor Scott Simmons took Baselight FCP for a test-drive recently and gives a pretty good run-down of the new color correction plug-in over at Pro Video Coalition. FilmLight has packed much of the same features into Baselight FCP that are found in it’s big brother, including support for multi-layered, keyframed grades. Sure, you’re rich (with an advanced color correction toolkit!) but you’re not going to have much time to enjoy those winnings.īaselight for Final Cut Pro is the little brother of FilmLight’s flagship application, the full Baselight system (a complex, “pro colorist level” color grading system). This might just be the digital equivalent of winning the lotto a few months before you kick the bucket. FilmLight releases Baselight, the most sophisticated color correction plug-in for Final Cut Pro…7.
0 kommentar(er)
